Industrial | |
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Cultural origins | Early-to-mid-1970s, United Kingdom, United States (Chicago), and Germany |
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Electronic music |
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Industrial music is a genre of music that draws on harsh, mechanical, transgressive, or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation."[2] The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
The first industrial artists experimented with noise and aesthetically controversial topics, both musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'EV.[3] On Throbbing Gristle's 1977 debut album, The Second Annual Report, they coined the slogan "industrial music for industrial people." The industrial music scene also developed strongly in Chicago, with the city's Wax Trax! Records at one point leading the industrial music scene. The precursors that influenced the development of the genre included 1940s musique concrète and varied world music sources in addition to rock-era acts such as Faust, Kraftwerk, the Velvet Underground, and Lou Reed's Metal Machine Music (1975). Musicians also cite writers such as William S. Burroughs and J. G. Ballard and artists such as Brion Gysin as influences.
While the term was self-applied by a small coterie of groups and individuals associated with Industrial Records in the late 1970s, it was broadened to include artists influenced by the original movement or using an "industrial" aesthetic.[4] Over time, the genre's influence spread into and blended with styles including ambient, synth music and rock such as Front 242, Front Line Assembly, KMFDM, and Sister Machine Gun, acts associated with the Chicago-based Wax Trax! Records imprint. Electro-industrial music is a primary subgenre that developed in the 1980s, with the most notable bands in the genre being Front Line Assembly and Skinny Puppy. The two other most notable hybrid genres are industrial rock and industrial metal, which include bands such as Nine Inch Nails, Ministry, Rammstein, and Fear Factory, the first three of which released a platinum-selling album each in the 1990s.